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Book Title: The Distracted Preacher and Other Tales|
The author of the book: Thomas Hardy
ISBN 13: 9780140431247
Format files: PDF
The size of the: 391 KB
City - Country: No data
Edition: Penguin Classics
Date of issue: October 25th 1979
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Reader ratings: 6.6
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Thomas Hardy's short stories reveal a literary persona, a creative intelligence and an imaginative vision uniquely and unmistakably his own. Those contained within this volume are among his finest and most representative and include The Withered Arm, one of his best known and most gripping; Barbara of the House of Grebe, said by T. S. Eliot to portray 'a world of pure evil'; The Son's Veto, regarded by Hardy as his best story; and, of course, The Distracted Preacher, possibly the most flawless of all. Like the novels, the short stories reveal Hardy's preoccupation with affairs of the heart, with love requited and frustrated, fulfilled or doomed. They contain many of his most powerful portraits of women; they are streaked with the grotesque, the macabre and bizarre; and they are permeated by that atmosphere, narrative power, and vivid sense of place and its intimate relation to character which are the essentials of Hardy's genius.
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Read information about the authorThomas Hardy, OM, was an English author of the naturalist movement, although in several poems he displays elements of the previous romantic and enlightenment periods of literature, such as his fascination with the supernatural. He regarded himself primarily as a poet and composed novels mainly for financial gain. The bulk of his work, set mainly in the semi-fictional land of Wessex, delineates characters struggling against their passions and circumstances. Hardy's poetry, first published in his 50s, has come to be as well regarded as his novels, especially after The Movement of the 1950s and 1960s. The term cliffhanger is considered to have originated with Thomas Hardy's serial novel A Pair of Blue Eyes in 1873. In the novel, Hardy chose to leave one of his protagonists, Knight, literally hanging off a cliff staring into the stony eyes of a trilobite embedded in the rock that has been dead for millions of years. This became the archetypal — and literal — cliff-hanger of Victorian prose.
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