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Book Title: Sophie's Choice|
The author of the book: William Styron
ISBN 13: 9780099483526
Format files: PDF
The size of the: 955 KB
City - Country: No data
Edition: Vintage Books
Date of issue: May 5th 2005
Loaded: 1152 times
Reader ratings: 5.8
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It seems a lot of people have a problem with the prose being pretentious and overwritten. However, I had a big problem with the unfolding of the plot. This was a strange book for me because I really wanted to like it and even thought I liked it after I was finished. It took me about a week to think back and realize, Wait! That was a crappy book.
Problem number 1: I personally found Sophie to be an unbeleivable character. I just thought she was not-fascinating and contradictory, like, not in the way people are in real life. I'll spare you the tedium of elaborating. You can take my word for it or not but the worst is yet to come.
Personally, I found Nathan to be a very realistic, frightening character. I know people like him in real life.
But, Problem number 2: Styron tells this story from the first-person perspective of someone who has already gathered all the information, heard everyone's side of the story and studied World War Two. In other words, he seems to be telling the story in the wrong form. There are a lot of flashbacks and "Sophie's Choice" isn't revealed to us until the rest of the present-time turmoil is underway as well. As a reader, I've never felt more manipulated. The narrator, Stingo, reveals stuff little by little but only in a way that is sure to make everything more meladramatic and painful. It seems done not to prove a point but to give the book some tragic affect though it comes off beyond contrived.
Not only did I feel manipulated, but I just didn't seem realistic how much information Stingo knew about Sophie, no matter how close they were. I'm not just talking about personal information, because we all have friends who tell us personal things but he tells parts of Sophie's story as though he were inside her head. It just felt like a huge narrative mistake ... more something to be expected of a book with an unreliable narrator, though we're supposed to put our full trust and faith in this narrator.
Problem 3: It feels like Styron was trying to make a book that studied too many subjects at once. It's okay to tackle multiple subjects, but he doesn't handle any of them. He's trying to study psychosis and addiction, death, life, war, peace, prison camps, nazi mentality, anti-semitism, growing up, sexuality, sexuality, more sexuality wrapped into every other subject until it doesn't make any coherent sense anymore.
I only decided to read this after Lie Down in Darkness which is infinitely better. I'm surprised that this is considered a great American novel and would never recommend it.
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Read information about the authorWilliam Styron (1925–2006), born in Newport News, Virginia, was one of the greatest American writers of his generation. Styron published his first book, Lie Down in Darkness, at age twenty-six and went on to write such influential works as the controversial and Pulitzer Prize–winning The Confessions of Nat Turner and the international bestseller Sophie’s Choice.
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